Shakespeares theatre was quite different from our own. It was anoctagonal, or round, structure with terzetto tiers of roofed galleries around themajor section. The central portion was an unroofed yard, the pit, in whichspectators stood. These standing room only places cost the least (onepenny-later, twopence), and the clop who stood were often scornfullyreferred to as groundlings; they were believed by the more educated peopleto same(p) nothing only if clowning. This belief is not entirely keep going up byevidence. The roofed galleries, which contained models, cost more the higher upthe seat; by 1596, young gallants were sitting on the do itself. both(prenominal) menand women went to the theatre, but boys played all the womens roles in theplays. The stage project approximately thirty feet into the yard and was narrowerat the front than at the certify. The back half(prenominal) of the stage was roofed withthatch; the other half was left open. at that place was no prosc enium arch and nofront curtain, but there were curtains at the back between two sets ofswinging doors which were placed at an shift to the stage. The curtain at thestage level formed the interior stage or study in which furniture propertieswere sometimes used, such(prenominal) as the bed in Othello. Above the study, aprojecting balcony was built with a curtain about four feet behind it forminganother inner stage.

The balcony, or tarras, was useful for action such asthat in the famous balcony military post in Romeo and Juliet. Open windows were set onthe upper level all over the doors, and they, too, could be u sed. Above thetarras, there was a smaller ba! lcony with a railing and a curtain which wasgenerally used as a musicians gallery or for the upper deck of a ship. Acollection of troika gabled structures, the huts, was on the very top of thisstructure creating a poop level from which sound... If you want to get a full essay, inhabit it on our website:
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